Tuesday, February 8, 2022

Downtime in Zyan: Pants or No Pants?




Downtime in Zyan, my new zine, has just launched on Kickstarter! The zine presents a system for downtime, the activities characters engage in between adventures. Brought to life by the whimsical and alluring art of Evlyn Moreau, the mole rats of Zyan will show you how to transform the neglected space between adventures into a site where player-driven schemes and dreams grow with delightful results.

Head over to the campaign and you'll see some exciting stretch goals. Half of the stretch goals for this project are about sharing the profits with my dream team. It’s a way of recognizing Evlyn for her fantastic art that has brightened our collective existence for the better part of a decade in this corner of indie rpgs, and Lester for his visionary graphic design and layout, which has given Through Ultan’s Door its distinctive (and award-winning) look. Both members of the dream team also played in my original dreamlands campaign, Evlyn as her character Satareh who explored the hanging Summer Palace in the bright groves of the inverted White Jungle, and Lester as the lizard man gladiator Sleestakarus whose dreamland picaresques include snatching victory from the jaws of defeat in the Gauntlet of the Panther Priests. It means the world to me to be working with them both on this project. Along the way there are also Kickstarter exclusive stretch goals that provide a handy reference to the system of downtime activities as well as a pamphlet with special rules for carousing in Zyan!

This Kickstarter presents two versions of Downtime in Zyan. The first is the modest edition. In keeping with the human preference for pants, this version has added bottom coverings to the illustrations of mole rats that otherwise would appear naked to human eyes. The cover illustrated above is drawn from the modest edition of Downtime in Zyan. But this Kickstarter also presents an option to purchase a Kickstarter exclusive bold edition of Downtime in Zyan that presents the mole rats as they actually dress and prefer to be seen: without pants. I encourage you to think of your pledge for the zine as a vote between these two editions. Choose sides in this eternal struggle and back this Kickstarter by clicking here!

Stay tuned, I'll have more exciting news on blog soon about Through Ultan's Door 4. Until then, I'll see you in slumberland.








Friday, February 4, 2022

Downtime in Zyan

On Tuesday 2/8 I launch my next Kickstarter, this time for Downtime in Zyan, It presents a unified and flexible system for handling the actions characters take between adventures. Brought to life by the whimsical art of Evlyn Moreau, the mole rats of the dreamlands will show you how to transform the neglected white space between adventures into a garden in which player-driven schemes and dreams grow with delightful results.


Longtime readers will recognize the discussion of downtime activities from this blog. In terms of rules, it is the single contribution I am most proud of to the emerging OSR style play. The zine unifies, expands, and develops my posts on downtime into a single approach for the downtime phase of play, with rules for acquiring skills, building institutions, cultivating relationships, crafting splendid items, gathering intelligence, mastering martial techniques, researching obscure topics, engaging in wild revelries, plumbing the perilous depths of spellcraft, and seeking enlightenment through spiritual exercises. For newer readers who want a taste of the system take a look at the posts on building an institutioncultivating a relationship,or doing research.

The zine also contains an article on the theory of downtime, and more importantly, an article explaining how GMs can leverage downtime to help build their campaign setting and sandbox world, and prep adventure locations and NPCs. By integrating this system into your campaign, I really think you can supercharge active player involvement in your campaign and bring the sandbox to life in new ways.  

The zine is system agnostic, but written with older editions of Dungeons & Dragons, their retro-clones, or newer rules-lite "OSR" games in mind. It can be used with any fantasy setting and doesn't presuppose familiarity with the setting of Zyan presented in Through Ultan's Door. If you are interested in following the project and being notified when it launches, you can do so here

On Tuesday, when the zine launches, I will also have big news about what's next for Through Ultan's Door. So stay tuned!







Sunday, November 7, 2021

House Rules for New Face to Face Elspeth's Letter Campaign

 


I'm starting up a new face to face campaign with a co-worker and some people from the neighborhood. I'm using (play testing) Elspeth's Letter, a stretch goal in the form of an alternative campaign premise from my last Kickstarter. It is going to be released soon in expanded form with full art as the inaugural issue of my new zine Pale Echoes that presents alternate frames in the waking world for dreamlands campaigns. The basic idea is that one of the players is the godchild of Elspeth. They receive an inheritance of Elspeth's house, which includes a ticket to the dreamlands by using the memories of a dead dreamer (Elspeth). 

These rules are close to Swords & Wizardry in some way, but really they're an amalgam of three things: Gus' HMS Apollyon Rules for stat modifiers and the death save, Errant for inventory, Jorune: Evolutions my evolving Jorune hack for the general 2d6 mechanic, and White Box for the idea of white spaces.

Generally speaking, my idea here is that I control the setting and world of the dreamlands. Players do not have any input on that. That is my domain--and I am relying on an asymmetry of knowledge. (Indeed no one in this group has ever read my zines or blog!) But about the dreary waking world, my stance is that I know little beyond some barebones elements I'm contributing about a town near Elspeth's house. If I knew these players better I might even suggest a session 0 where we designed the waking world together. Instead I'm choosing to use "white spaces" (a concept from White Hack) during character creation that allow the players to contribute elements of the setting for the waking world. 

To be clear, I threw these rules together hastily. They represent a compromise between keeping things familiar enough for players who have played recent versions of D&D and my own predilections. They are just a set of house rules for what is likely a temporary return to face to face gaming. They aren't like my work on Jorune: Evolutions, where I'm trying to come up with a system that works from the ground up to do what I want it to do.



Stats


Roll 3d6 down the line. Swap one roll if you want to. 

Strength: How physically powerful you are
Wisdom: Attunement to spiritual things (NOT how "wise your choices are")
Intelligence: Facility with book learning (NOT how "smart you are")
Dexterity: How agile or dexterous you are
Constitution: How hardy you are
Charisma: Your leadership ability (NOT how "persuasive your in speech in game is")

The crucial point of the NOTs is that you are not to play your stats, and in particular, you are not to try to use them as a basis to make bad decisions or play suboptimally in the game. 

In the spot for bonuses and penalties next to the state:
If you rolled 6 or less write -1 next to that stat
If you rolled 15 or more write +1 next to that stat

For each +1 or -1 you have on a stat give your character an adjective. So if you rolled 5 on dexterity, you might be lumbering or butterfingered. If you roll 15 on charisma you might have gravitas. This is solely for flavor. 


Races


Most versions of D&D have various races you can play. In this game, all the player characters are human. There are no other “races” to play in the waking world. Other kinds of playable beings may or may not be unlocked as a result of your adventures in Wishery.

Classes


Fighter: Violence is your specialty. Choose your flavor of fighter--this will affect your class-related skills. Perhaps you are a mercenary, knight, soldier, swashbuckler, pirate, etc. HD 1d8 Damage with weapon: 1d10. Armor allowed: any.

Magic-User: You are a master of the occult. You can cast powerful enchantments but are not much use when it comes to the arts of war. Perhaps you are a diabolist, enchanter, witch, gentleman scholar, etc. HD 1d4. Damage with weapon: 1d4. Armor allowed: none.

Cleric: You are blessed by a god or divinity and may perform miracles. You also possess some fighting ability. Perhaps are a monk, divine, savant, miracle worker, preacher, paladin, etc. HD 1d6. Damage with weapon: 1d6. Armor allowed: any.

Thief: You possess a rare set of skills, such as stealth, sleight of hand, and lock picking. You strike from the shadows. Perhaps you are a con-man, assassin, spy, specialist, etc. HD 1d6. Damage with weapon: 1d8. Armor allowed: light. 


Age of Life


Pick an age of life. One player, Elspeth’s godchild and heir, must be a youth. All others may choose an age of life as they prefer. Write this age category down in the line for age on your character sheet


Youth: You have the vitality and hunger for experience of youth. You are adaptable and learn quickly like a sponge.

  • Saving Throw 8
  • + 10% on all experience points gained

Adult: You had a trade before becoming an adventurer. Your skills my come in handy.

  • Saving Throw 10
  • Choose a former profession. Add +1 to any roll that falls within that skill set. Begin with the tools of your trade.

Aging: You had another life before becoming an adventurer. It’s hard to teach an old dog new tricks, but you bring more to the table than your younger comrades.

  • Saving Throw 12
  • -10% on all experience points gained
  • Choose a former profession. Add +1 to any skill or ability roll that falls within the skill set of that profession. Begin with the tools of your trade.
  • Begin with one loyal companion. It could be a hunting dog, trained monkey, horse, fastidious butler, bodyguard, thug, or apprentice.

Saving Throw


You have only one saving throw the value of which is set by your age of life. It works like this: If your hit points reach zero or lower, roll a saving throw on 1d20. If you roll equal to or higher than your saving throw, your character is saved, return to 1hp. Whenever you make a saving throw, increase your saving throw number by 1.

Stat or Skill Checks


To make a stat or skill check roll 2d6 and add your modifier. 

Normal: 6- failure 7+ success 
Challenging: 6- failure 7-9 partial success 10+ success
Difficult: 9- failure 10+ success

We use a freeform skill system. For skills that your character isn't trained in make a roll with a -1. (Highly specialized skills cannot be used if untrained.) If are trained in a skill roll without modifier. If you are skilled add +1 and if you are a master add +2. Unless you are a thief, your starting skills are limited to those fitting your class and former profession. For class specific skills treat the modifiers this way: Levels 1-4 trained, Levels 5-8 skilled, Levels 9+ master. Use your description of your class to specify your skills. Any skills that fall under former professions are at the trained level. 

What would normally be saving throws in old editions of D&D are instead difficult or challenging stat checks. So a saving throw against dragon breath would require a dexterity check at difficult level to take half damage. If it was a young dragon, or I was being a softie, perhaps it would be challenging dexterity check with full damage on a failure, half damage on a partial success, and no damage on a full success. 

Most downtime actions use a 2d6 mechanic modified by a stat bonus. They are, in effect, often (although not always) stat checks.

Note 1: You can learn and improve skills through my system of downtime activities.

Note 2: This is a bit simpler than the challenge rating I use in Jorune: Evolutions, which involves two different categories of rolls and a difficulty modifier. I want to see if this simpler system works. On the whole I prefer the rules to be simpler where possible. 

Former Professions


If adult or aging choose a former profession, from this list or anything you can think of. The setting in the waking world is a dreary faux Europeanish setting that spans anachronistically medieval Europe to the renaissance and beyond, with a sprinkling of magic, divinity, and the occult. So, any profession that could fit with that very broad vibe will be admissible. Write down your former profession on your character sheet.

Some will want to use this choice mainly to add flavor to their character. But it can also be used to add some skills that wouldn’t normally come with your class. For example, want to be a bard? Be a troubadour turned fighter, thief, or cleric, depending on what bard aspect you want to emphasize. If a cleric, since you can settle the details of your faith too, make it a god of song and you magic can all come through performance! Or if you want to be a ranger, choose a fighter with a past career of woodsman. Want to play a spellsword? Be a magic-user with a former profession of duelist. The tools of your trade and how the skills might work can be decided together at the table. 

Alchemist/Herbalist
Astrologer/Fortune Teller
Baker/Cook
Barber/Surgeon
Beggar/Mendicant
Blacksmith/Ferrier/Locksmith
Burglar/Cutpurse/Smugglar
Butcher/Tanner
Carpenter/Wheelwright/Cooper
Charlatan/Snake Oil Salesman
Explorer/Scout/Mapmaker
Duelist/Rake
Peasant (i.e. farmer)
Sailor/Fisherman/Pirate
Gambler/Card Sharp
Grave Digger/Ditch Digger/Stevedore
Haberdasher/Tailor/Seamstress
Hunter/Trapper/Furrier/Woodsman
Lawyer/Clerk/Scribe
Locksmith
Midwife/Masseur
Miner/Mason
Minstrel/Thespian/Troubadour
Scholar/Natural Philosopher/Historian
Orator
Painter/Sculptor/Poet
Preacher/Priest
Hermit/Monk/Cultist/Cantor
Rat Catcher/Poisoner
Servant/Butler/Maid
Shepherd/Swineheard
Soldier/Mercenary/Archer/Guard
Squire/Apprentice/Indentured Servant

Determine How You Know One Another


In this game, you are a group of comrades who have come together around Elspeth’s godchild to pursue adventure and who work as a team. Everyone must have a tie to one other person in the group. What is it? We should probably wait to decide this together at the table.

Blood relative
Childhood Friend
(Former) Lover
Mentor/Mentee
Thrown together by circumstance
Shared trauma
Business partners
Coworkers
Coreligionists
Met in a jail cell
Fought together in war
Common political cause/common enemy
Etc

The Death of Elspeth's Godchild


I probably don't even need to say this on this blog, but I will mention that Elspeth's Godchild does not have plot armor on this premise. If they die, then the player of the godchild designates another PC as the heir and they are now the inheritor of Elspeth's estate. If there is a total party kill, the estate has passed to an heir in the new group that is rolled up. (The player who dies may also opt to collectivize the estate to the group, if they do so then the group must pick a legal name for their adventuring party.)

Thieves


Whatever the description of their class, all thieves possess the following skills. Every time you advance a level assign an additional +1 to two of these skills. Every time you acquire a level you will add two more +1’s. Unlike other skills (including other skills from your class description), the maximum plus you can have to any one thief skill listed below is +3 rather than +2.


Stealth
Climb Walls
Pick Pockets
Pick Locks
Find/Remove Traps
Hear Noise
Read Languages

Clerics


Choose Your Deity: This is the mystical source of your power, usually a god or religious principle of some kind. I do not have a pantheon for the dreary waking world, so you may imagine any deity or mystical power you like. Here are some very generic types of deities if you would like a list:


Hearth
Harvest
Fertility
War
Death
Fortune
Reason
Balance
Art or Craft
Toil
Light
Darkness
Trickster
Wisdom
Justice
Heavens
Undeworld
Famine
Wind
Flame
Winter
Summer
Spring
Autumn
Nature
Beasts
Immortality
Murder
Vengeance
Charity

Name your deity. Answer the following questions (more will come up over time in play). What does your holy symbol look like? What do miracles granted by your deity (spells) look like in action? Think of one rite, sacrament, or holiday associated with your deity.

Magic-Users


If you are a magic-user, select three spells contained in your starting spell book from the Old School Essentials List: two first, and one second level spell. Of first level spells you may book may contain only one of the following (objectively best spells): light, sleep, and charm person. I do not have a view about how the dismal magic of the waking world works. Think of your spell book as a way to contribute to this aspect of the setting.  The spell book is not a little black book that you write your own spells in it. It is a significant magical text that is known in the game world. Name and describe the spell book that contains them. It has a title and appearance, and embeds the spells in some broader subject, speculation, art object, or discourse. Also decide what the spells you have selected look like in action. To acquire new spells you will need to research them in downtime or to learn them from spell books you acquire.

Equipment


We are using a slot-based inventory, which is influenced by Ava Islam's Errant.


In hands: Two slots
Handy: Four slots
In pack: Six slots

Anything that is in hand or handy can be used without spending an action. Anything in your pack you must take an action to get out. You can fill a slot with a bundle of four small items of the same or related things. (I.e. quill + bottle of ink, 4 flasks of oil, etc.) Jewelry, clothing, and knick knacks do not fill up a slot. A slot can also hold 100 coins.

You get the following items based on your class. If you have a former profession, also write down the tools of your previous trade.

Fighter: Chain Armor (AC 15), melee weapon, and either shield (+1 to AC) or missile weapon
Thief: Leather Armor (AC 12), melee weapon, missile weapon, thieves’ tools
Cleric: Chain Armor (AC 15), melee weapon, holy symbol
Magic-User: Spellbook and either melee or missile weapon

A note about weapons and armor. Rather than using different damage for different weapons, and only allowing some classes to use certain (more damaging weapons), we’re going to use weapon damage by class. So, you can imagine the weapons you use to be just about anything. We are using ascending armor class so higher is better as in 5E, with the normal 1d20 + attack bonus roll to hit a target number set by the armor class.

Fighter: Weapon damage 1d10; Armor allowed: any
Thief: Weapon damage 1d8; Armor allowed: leather
Cleric: Weapon damage 1d6; Armor allowed: any
Magic-User: Weapon damage 1d4 Armor allowed: none

In addition, pick one starter pack:

Scholar: Pack, scroll-case with 3 rolls parchment, ink, quill, charcoal, small mirror, candle in holder, matches
Explorer: Pack, Lantern, 2 flasks oil, matches, rope 50’, caltrops
Specialist: Pack, 3 torches, matches, rope 50’, mallet, 5 metal spikes


Experience Points and Advancement


We will be using the experience tables listed in Old School Essentials. You will receive experience points for the following things.

• Each character will receive 200 experience points for your first session in a new place of adventure in Wishery. (There will be experience points awarded for other exploration related goals to be introduced later when the opportunities are uncovered.)
• Each character will each receive 600 experience points for accompanying Elspeth’s barge on its funeral procession. You will receive these experience points only if the barge completes the procession and goes over the falls intact.
• Your party will receive 1 experience point for each gold piece worth of treasure you bring back from Wishery to the waking world. This be divided between the characters on the adventure. So if there are four players and you retrieve 600 gp worth of treasure, you will each receive 150 xp.
• These are the only things you get experience points for. Note that you get no experience points for combat. Violence is an important tool at your disposal, but it does not provide any reward in itself.

When you gain a level, you acquire one more HD of hit points. You may add a +1 bonus (or cancel a -1 penalty) to one of your stats at 4th, 7th, and 10th level. The maximum stat bonus is +2. 

Attack bonus progression works like this:
Fighter: +1 AB on even levels. Max +6.
Cleric and Thief: +1 AB on odd levels starting at 3rd level. Max +4.
Magic-User: +1 AB at 4th, 7th, an 10th. Max +3.  

Otherwise, except for thief skills mentioned above, you advance as per old school essentials. Note that advancement in other forms is also possible through the robust system of downtime activities that will you to acquire skills, craft splendid items, research magical spells, do non-magical research, build institutions, and the like. 

Sunday, August 8, 2021

Using Landmarks in Wilderness Travel


 I've been continuing work on my Jorune: Evolutions ruleset. Recently I've been working on wilderness exploration rules. One thing I've been thinking about, spurred on by some of Gus L's recent dungeon theory, is how different the role of "the map" is in wilderness exploration and dungeon or adventure site exploration. The size of the hexes means that the kind of navigation of a concrete space involved in dungeon crawling doesn't apply. There are some approaches to wilderness exploration that chase that level of concreteness by using "zoomed in" sub hexes that allow one to establish a more concrete topography, or that abandon hexes altogether, using a ruler to map movement across a fairly detailed map. Personally, this doesn't work for me for two reasons. 

The first is that it makes the construction of the map a daunting task. I now need to not only assign a type to the hex, and stock it with features, but construct sub-hexes with detailed topography and geography that allow me to locate those features in the hex. This basically ensures that I will never be able to prep a sizable map. 

But this is connected with a second issue about the point of navigating space. Why is the navigation of space interesting in a dungeon crawl? Having read Gus' reflections and run many years of location-based adventures in the retro-game style, I can think of three reasons. These don't apply to every location-based adventure in the mode of dungeon crawl, but I think the best feature all of them.

  1. Players engage in meaningful choice vis-a-vis navigation of the space as part of an economy of risk and rewards. They decide whether to push further at risk of random encounters, or whether to turn to the left towards the ominous clanking sounds, or whatever it might be. It sustains meaningful choices.
  2. Another way the navigation of space matters to dungeons is the way factions inhabit the space. We might think of this is the social dimension of space in the dungeon. Factions operate in different areas, which they often "hold", and they have interests in other areas, some of which opposing factions might hold, or which are otherwise inhospitable. This means the players enter into a current unstable equilibrium or conflict space that is intimately connected to the spatial layout of the location. People in one part of the space want things from other parts of the space, and the players can interact socially with this nexus of often opposed desires.  
  3. Another thing is that in a good dungeon, space is part of a puzzle to be solved. One figures out how to get from A to B optimally, for example, finding a quick way to lower levels, or learning how to directly access some place that could previously only be reached laboriously, or finding the way into some sub-level or hidden area. This is a satisfying achievement.
It's hard for me to imagine how trying to zoom in on a map of an appropriate size for extensive wilderness travel is a good way of capturing this. I'm not saying it's impossible, I'm just saying it would require some set of systems that it's hard for me to imagine. Even with "zoomed in" topography, you still probably never going to get to a place where players are making tactical choices about what route to take on each day of travel. 

But I think you can capture a decent amount of it if you lean in to the abstraction and "zoomed out" scale of wilderness travel. To get 1. you need to some regular way to represent risk and rewards trade-offs in wilderness exploration. In the dungeon this is provided in part by wandering monster checks, which happen at the level of the turn (or every 3 turns). It's important that it happens per unit of movement so that there's a tradeoff with exploring the map and hazarding encounters. In the wilderness you want something similar. 

So it's better if you don't have 1 check per day, but rather a mechanic that says: want to explore another hex? OK, roll the encounter die then. Similarly, it would be good to build in other choices that the parallel the dungeon like the choice whether to "search" for "hidden" features, i.e. explore the interior a hex in exchange for hazarding encounters. It's also good if you have mechanics for forced marching that require you tradeoff extra movement for acquiring exhaustion. 

Similarly, it's good if you have an encumbrance system that forces choices about what to carry, with rations and acquired loot being the obvious things about which you must make tradeoffs with adventuring gear. So you'll need rules for starvation and foraging too. It would be good to build in some choices about when you start looking to make camp, and probably about how good a camp you can get set up. 

Number (2), the social dimension, is easy. What we want is a hexmap as a social space of factions in opposition that want things from other places on the map. This is less a matter of rules and more about hex stocking. But we'll certainly want to use reaction rolls for wilderness encounters and have explicit rules about parlaying to make that option salient to players.

Number (3), about space as a puzzle to be solved is harder in a "zoomed out" wilderness map. What could it mean? Do we introduce a system of easy travel from some hexes to other hexes? Shortcuts built into the flow of the hexmap? That might work. But in this post I try something different instead, leveraging something unique to wilderness travel, namely mechanics about getting lost, to create an economy of known landmarks to navigate by. By creating archipelagos of landmarks to uncover in a sea of wilderness, the party can learn through exploration how to create routes from one destination to another and make tactical choices about movement. 

Instead of aesthetically pleasing maps that mix a medley of different terrain types, the system in this post works best for the exploration of discrete wilderness regions that is a single base type of terrain. Mirkwood Forest; The West Trinnu Jungle Lands; The Mermist Swamp. Hexes are differentiated not primarily by terrain type, but rather by landmarks that are treated as icons on the map. Furthermore, this is not a system for traveling across friendly lands or for one-shot journeys from point A to point B. It's written for play that begins and ends in a safe home base, from which multiple sallies into the perilous wilderness can be made, so that learning the terrain over time has major advantages for the group. It also will work best with a shared electronic map resources like Hexographer or Hex Kit that allows for easy placement and deletion of hexes, although you could certainly make it work with a few sheets of blank hexpaper too. 

A lot of the rules here are widely used. The innovation, I think, comes mainly in terms of the use of landmarks. But someone has probably already thought of something similar, so feel free to link below. Note that these rules presuppose 2d6 stat and skill checks, with a max positive modifier of +2 and max negative modifier of -1. 


Encumbrance

The gear you carry on a mission is a resource. Jorune: Evolutions uses a slot based encumbrance system that tracks how many significant items you are carrying. It is important that you list items on your character sheet in the order of accessibility, with lower numbers being more accessible than higher numbers.

Clothing, jewelry or knick-knacks, and your pack do not fill slots. Armor, on the other hand, does occupy slots: (Light 2 , medium 4, heavy 6). Small items of the same kind can be bundled in 4s. Each brace of ammunition counts as one slot. Large or bulky items occupy two (or more) slots.

  • 10 + Str Mod + Size Mod items or fewer: unencumbered
  • 11-15 + Str Mod + Siz Mod items: encumbered
  • 15-20 + Str Mod + Siz Mod items: heavily encumbered
Animal Encumbrance:

  • Thombo/Horse: 20 Slots Unencumbered/21-25 Slots Encumbered/26-30 Slots Heavily Encumbered. Carrying a Rider=10 Slots. 
  • Bochugon: 40 Slots Unencumbered/41-50 Slots Encumbered/51-60 Slots Heavily Encumbered. Carrying a rider=10 slots.

Encumbered: Reduce travel movement by 1 hex. -1 to physical stat checks, physical skills, and combat rolls. Make a stamina check after a day of travel. On a 6- acquire one level of exhaustion (§2.7)

Heavily Encumbered: Reduce travel movement by 2 hexes. -1 to physical stat checks, physical skills, and combat rolls. Test stamina at -1 after a day of travel and at the end of each combat in which the character participates. On a 6- acquire one level of exhaustion.

Travel Speeds


All travel is represented by movement across a hexmap representing a wilderness region to be explored. Travel speeds are measured in hexes. There is base travel speed depending on your method of travel. Note that everyone must employ a certain mode of transport to benefit from the higher travel speed. Travel speed is not variable by terrain type, since we assume a single base type of terrain. In regions where movement is easy, hex sizes are assumed to be larger (3 miles). In regions that are harder to move through, hex sizes are assumed to be smaller (1 or 2 miles depending on how hard the terrain is). 

Base Land Travel Speeds:

  • On Foot: 5 Hexes
  • Bochugon: 5 Hexes
  • Thombo:  6 Hexes
  • Horse: 7 Hexes
  • Encumbered: -1 Hex
  • Heavily Encumbered: -2 Hexes


When the party has exhausted its movement on foot, the party may choose to continue pushing further. For each hex the party moves into, each character must test stamina or acquire one level of exhaustion. When mounted, the mounts make the check instead of the humans. For each exhaustion check after the first, roll a wound check for the mount to see if it dies.


Exhaustion


It is possible to face exhaustion when encumbered, starving, engaging in forced marching, or hard labor. In such circumstances, test stamina. On a 6- you acquire a level of exhaustion. Each level of exhaustion fills 5 equipment slots. When the character surpasses extremely encumbered, their character can go no further without rest.

To recover a level of exhaustion, you must camp and have access to whatever can address your condition (sleep, food, etc.). Upon wakening test stamina. On a 7+ remove a level of exhaustion. Some forms of exhaustion, including exhaustion from wounds, cannot be recovered through camping.

Travel Roll


Upon entering a hex, one player makes a travel roll (1d6). The travel roll is a version of Necropraxis' Hazard System. It is heavily influenced by Ava Islam's reworking of the overloaded encounter die for Errant

  1. Encounter
  2. Sign
  3. Mishap
  4. Flora or Fauna
  5. Local
  6. Discovery
More on the travel roll in another post. For now, it's enough to know that each of these results will have their own table. We all know about encounters. Signs are traces that foreshadow an encounter. If an encounter or sign is rolled in the next hex, then there is an encounter with whatever left the signs discovered in the previous hex. Mishaps are little travel difficulties that accumulate if multiple mishaps are rolled. Flora and fauna are animal encounters or the discovery of limilates or other interesting plants. Local is some region specific event or phenomenon. Discovery means stumbling across some notable feature of the hex. 

Hex Features and Landmarks


Most hexes will have 2-3 features that are like the layers of an onion, representing the more and the less obvious notable features in a hex. (I'm influenced here by Hot Springs Island.) These features can be landmarks, resources, anomalies in UVG's sense, adventuring locations, and so on. Landmarks are the anchors of exploration. They generally represent easily identifiable terrain features that allow one to locate oneself clearly on the map. In easily navigable terrain, all hexes will have a landmark in them. In more difficult terrain, like trackless wastes or dense jungle, perhaps every third or fourth hex will have a landmark in it. 

Features are always discovered in a fixed order from most to least obvious. This means that in traveling across already encountered hexes, one will sometimes stumble upon something previously undiscovered. If there is no feature left to discover in a hex, then when a discovery is made, the Sholari announces that the hex is fully explored and this is noted on the map.

Note that not all keyed features of a hex are landmarks. This might be because the feature is more difficult to find in the hex or because the feature is found in multiple hexes. If they're not landmarks, they're things in the hex that are not good resources for navigating by. 

Exploring a Hex


The party may opt to use one movement to explore a hex. Doing this gives them a very good chance of discovering a feature of the hex. If there is a landmark in a hex, then the landmark is always the first discovery. In fact, the first search will automatically reveal any undiscovered landmark in the hex (no roll necessary). 

If there isn’t an undiscovered landmark remaining in the hex, the party rolls an exploration die to see if they turn up anything through their search. In doing so, they hazard an encounter. If they roll a discovery, then the party uncovers the next feature of the hex in order. Once again, if they roll a discovery when no features remain, the Sholari will inform the party the hex is fully explored. 

  1. Encounter
  2. Sign
  3. Flora or Fauna
  4. Discovery
  5. Discovery
  6. Discovery
There are some instances where a landmark is so obvious that it can be identified by anyone passing through the hex,  and so does not require a discovery roll to uncover.

Getting Lost


Each day the Sholari makes a secret survival skill check for the relevant wilderness type to see if they get lost using the wilderness survival skill of the mission member with the highest score. This is a 2d6 check modified by skill level in the relevant type of wilderness (untrained -1/trained +0/skilled +1/master +2). On a 6- they become lost. Since no one starts higher than skilled, and since becoming a master in a skill is not easy, this means that people will often get lost. (This is an intentional design choice that emphasizes the importance of uncovering landmarks, more on which shortly.)

If lost, the Sholari will dice to see in which hex of the day's travel the party goes off course. The Sholari will then roll 1d6 to see which way the party moves out of that hex. (Note there is a 1 in 6 chance that becoming lost has no ill effect if they end up moving in the intended direction.) All further moves after that point reorient the hexfaces so that the erroneous direction is treated as the intended direction. 

Suppose the party goes awry in a particular hex, intending to move north. This in the normal key:


Suppose the Sholari rolls 6. Instead of Moving N the party goes NW. For the remainder of the day's moves, the Sholari moves the party using this reoriented hex key for movement. 





Note that if the party stops traveling for the day before that hex comes up, then they do not become lost. 

While lost, the Sholari will refer to the hexes on the shared player-facing map as though the party were moving along the intended route, while tracking the real location of the party on the private Sholari map. If the party is lost on a second day, the Sholari will repeat the process, starting from the party's erroneous orientation and then swiveling the departing hex face once again by rolling 1d6.

The party can definitively realize it is lost in two ways. The first is by succeeding at a survival skill check for a new day after camping, representing the fact that they realize they were not quite traveling in the right direction the previous day. The second is when the party fails to reach a known landmark they expect to reach along their intended route. At this point the party may move using the regular hex key with any moves they have left from their current location and try to find their way back to terra cognita.

When the party enters a hex with a landmark they have previously discovered they stop being lost. As long as they have not been lost for multiple consecutive days, the party will be able to reconstruct their movements, and the Sholari may now tell the party the hexes the party moved through while lost on the normal map, and will place any landmarks they discovered along the way on the map.

While lost, if the party believes themselves to be in hexes they have previously explored that do not contain a landmark, they may try to locate themselves by exploring the hex to try to discover features with which they are familiar. In such circumstances, rather than revealing the next new feature of the hex, the Sholari should first give them features from the hex key they have previously discovered. If it's a unique enough feature found solely in that hex, then the Sholari may declare them no longer lost.  

If this sounds complicated, I provide an illustrative example at the end of the post. I promise that it's not as complicated as it sounds in play. Also, if it's not already apparent, discovering landmarks to tether your wilderness travel is utterly crucial in this system.


Camping


If the party wishes to camp in the wilderness, the mission member with the highest wilderness survival skill rolls a check for the group in their effort to find a suitable camp site. In inclement weather, this check receives a -1 penalty. For the result, consult the following table:

  • 6-: Uncomfortable camp: Party takes disadvantage on their grit roll and receives -1 on stamina checks to recover from exhaustion.
  • 7-9: Suitable camp: Party rolls for grit in the morning as usual.
  • 10+: Choose 1
    • Comfortable camp: Party rolls for grit (hp) with advantage in the morning and receives +1 on stamina checks to recover from exhaustion.
    • Hidden camp: As a suitable camp, but the party does not check for an encounter during the night.
Note that one may make a camp at any point in the day. If the group sets up camp and still has moves remaining, they may explore the hex or hunt and gather. They may also try to find a better campsite, expending a move to have a different player roll a second wilderness survival check in the hopes of finding a better campsite. The party may repeat this process as many times as they have moves.

Hunting and Gathering


At the cost of one hex move, and a roll of the travel die, the party member with the highest survival skill may test survival to hunt and gather. If the terrain is lush they may add +1. If the terrain is barren -1.

  • 6-: the party comes up empty handed
  • 7-9: one half the party (rounding up) need not consume rations for the day
  • 10+ no one in the party need consume rations for the day

Starvation & Dehydration


If when the party camps, they do not have sufficient rations for everyone then someone must go hungry, or the party must ration their food spreading the effects more evenly. If someone goes hungry they make a stamina check. On a 6- they acquire one level of exhaustion. On subsequent days they test stamina at a cumulative -1: on a 6- they acquire another level of exhaustion. Levels of exhaustion acquired in this way go away when the exhausted individual eats a full meal and camps for the night. Each meal eaten removes one level of exhaustion, at a maximum of one per day.

Rationing spreads the check to more people but gives a bonus to the check corresponding to the number of people with rations.

  • Two people splitting 1 ration: each checks stamina at +1
  • Three people splitting 2 rations: each checks stamina at +2
  • Four people splitting 3 rations: each checks stamina at +3


Example

We're sorely in need of an example of travel using landmarks, and the procedures for getting lost. Suppose the Sholari's map of a certain region of the West Trinnu Jungle Lands looks like this (I used Hex Kit as the program):






Let's suppose that off the bottom of the map that white is grasslands, and so a change of terrain where the map ends. Keep in mind that the "blank" hexes each have their own keys with 2-3 features to be discovered, some of them significant. All that is represented on the map visually are the landmarks. Let us suppose through exploration, the players have uncovered this many of the landmarks on the map:



The players are now planning an expedition. They are marching on foot beginning in hex 0610. They are not encumbered and so have a base move of 5. They would like leisurely to travel on to the NE to hex 0710 with its unmistakable brown fens. Then they will continue NE into hex 0809 and 0909, before turning north to end up at the Great Gate in hex 0909, where they can take the extra time to make a nice camp or further explore the hex. The next day they're hoping to cautiously strike out  into terra incognita in the unexplored hexes around 0908, because they have heard that skull dungeon is somewhere to the east of the Great Gate. In short, the players are being cautious, using two known landmarks to navigate, and giving themselves time to make a nice camp and do a bit of exploration. Let us assume they also have one PC with them who is skilled (+1) in jungle survival. The following narrative focuses solely on movement and so I pass over the adventures they have along the way as a result of their travel rolls, encounters, and so on.

At the start of the day, the Sholari rolls a jungle survival roll 2d6+1=5, which means the party will become lost somewhere along the way. Since the party is only traveling 4 hexes today,  the Sholari rolls 1d4 to see what move they go off track. The Sholari rolls a 2. So the party moves into hex 0710 with the brown fens successfully, seeing the landmark they expect there. But with the next move, they go off track. The Sholari rolls 1d6 to see which they move with 1=North. So instead of moving into hex 0809 they move into hex 0709. They then continue straight into hex 0708. (They do not discover the muadra encampment in the hex, because they didn't roll a discovery on their travel roll and did not choose to explore the hex.) They then in their last move turn what they believe is N, but is in fact NW, ending in hex 0607. Arriving in the hex, they do not see the landmark they are expecting to find there (the Great Gate) and so realize they are lost. 

The Sholari no longer pretends they know what hex they are in. They tell the players they are lost and do not know what hex they are in. They deliberate about what to do. They know they are within 3 hexes of the brown fens 0710, and quite possibly within 2 hexes, depending on where they went awry. They have one move left for the day. They reason that they have enough rations for two days, and a very good chance of making their survival roll the next day (72%). Their plan is to explore the hex they're in to see if they can uncover a landmark or some feature that might be familar, and then make camp for the night. Their search discovers a feature rather than a landmark and some adventure is had before they make camp.

The following day, they make their survival roll and head due south from their current position, exploring each hex as they move through it. They move to hex 0610 and explore it, turning up a previously unknown features. They then move south to hex 0609 and explore again, this time finding something that sure seems familiar from their previous explorations--a small copse of a rare limite (a psycedelic herb), lit by the unearthly light of glowferns. The Sholari then reveals to them where they are in the map. The party breaths a sigh of relief and uses their last move to return to the brown fens in 0710 to deliberate about what to do next.



Sunday, August 1, 2021

Google Plus Mixtape Track 02: Super Band Play Culture


I was on Google + for five years with you. We shared practices, theory, and bits of wonder, frozen starlight, passed gleefully from one outstretched elfin hand to another. I have learned how to play Dungeons & Dragons with you in rewarding and novels ways. But now Google + is gone. So I made you this mix tape. I think you'll recognize some of the songs. I hope you like it.

This is Track 02 of my google mixtape series. Listen to Track 01 here.



More than anything, I would say the OSR scene on Google+ was a play culture. People played a lot of games with one another. Since to be on OSR Google+ you had to be really into roleplaying, most everyone who played was also a high-caliber DM with a blog and a campaign (or two) of their own. Groups on G+ were like "super bands", composed entirely of the most engaged single member of other groups.
This meant that being a player allowed for immediate influence and transmission of techniques from one game to others. Someone who had an amazing experience in John Bell's Necrocarcerus or Miranda Elkin's Nightwick Abbey campaign as a player would turn right around and put those practices to use in their own campaigns.

Google+ had an excellent set of tools to enable this process. When G+ introduced "communities" that allowed you to moderate subgroups, this allowed for a centralized platform where people could communicate directly with their players easily. Since events were integrated with Google+, you could schedule a google hangout, slap a glorious picture and a description on there, invite all your players (or whomever you wanted), and even get a reminder for the event. It was also like having an easier to use campaign blog integrated with your social media scene, since you could post campaign hooks, session recaps, NPC pictures, and so on to your community.

Since folks in the OSR scene were mainly on Google+, it meant that all the amazing long-running campaigns of the OSR had their own G+ communities. Google+ wasn't just a social media platform; it was a storehouse of living campaigns. When Google+ was dying, I found it unbearable that all these intensely shared worlds of play would vanish. All the posts about NPCs, all campaign hooks, all the giddy post-game exchanges between players, all the houserules, all the downtime activities, all the richly imagined information about the world--gone in a digital heartbeat.

There was an app called Google Exporter that allowed you to download a community if you were a moderator. So I set about offering to export people's communities for them. In the course of doing that, I learned a lot about what different people were doing. In the final twilight hours, I picked a few campaigns and took the opportunity to interview players who had played in them. My two criteria for picking the campaigns, were these:

  1. The campaign had to be long-running OSR game. 
  2. It had to be a game where everyone who was playing knew that something special was happening. 


This topic is related to, but distinct from, track 01, which was about flailsnails. Some of these campaigns began as flailsnails affairs, slowly settling into a non-flailsnails mode as regular players starting coming back and the occasional new players rolled up characters from the campaign world. Other campaign began as  independent non-flailsnails campaigns, and briefly opened their doors to cosmic interlopers at the height of the flailsnails fad, before returning to their homegrown ways. Yet others came after flailsnails was more or less moribund, or simply never participated in the planes-hopping shenanigans. The role of flailsnails was, I think, as an accelerator of the play culture in general. It helped to build a pool of available players with connection with one another. One might play with someone else in a flailsnails game, and then get an invite to the non-flailsnails campaign they were starting up as a DM. Flailsnails built connections between people and greased the wheels for G+ play. But the point is, these established, long-running campaigns are not, in the main, flailsnails games. They are a different, if related, part of the G+ OSR scene.

Given the super band phenomenon, one thing I found when I started to look into it, was that you could trace influence from one campaign to another, in an evolving set of DMing practices, house rules, settings, and in some cases, publishing ventures. In fact, I've come to think of this super band play culture as the hidden infrastructure of the G+ OSR scene. A lot of the visible facades--blog posts, published rulesets, adventures, publishing outfits--were supported by these hidden networks of transmission. So, for example, David Lewis Johnson's Gathox Vertical Slum, a visible product you could buy and consume, was invisibly influenced by the fact that Johnson played in Robert Parker's Savage World of Krül campaign. Similarly, Gus' HMS Apollyon Player's Guide was influenced by the experience Gus had playing in Brendan S's experimental Pahvelorn campaign, which led Gus to rewrite entirely the rules for his HMS Apollyon campaign. What you, the DIY enthusiast or consumer, see is the end product of a fermenting process that begins with experience as a player in other people's games that often passes through the author's own campaign, finally crystallizing in the public sphere as some numinous object.

In the next few tracks on the Google Mixtape I will be talking about these games in groups of influence. We're going to start with perhaps the best known Google+ campaign: the Hill Cantons. In later tracks we'll branch off into less well-known territory. I couldn't be more excited to tell you what I learned about these glorious G+ campaigns, many of which you've probably never heard of, even if you were on G+. But they were all influential in their way, and tracing the lineages is interesting.  Here is a preview of future tracks on the Google+ Mixtape. I may add some tracks if I get the chance to interview some more groups.

Track 03: The Hill Cantons
Track 04: Savage World of Krül
Track 05: Swords of the Inner Sea
Track 06: Pahvelorn
Track 07: HMS Apollyon


Monday, July 26, 2021

Throwing Bones




A bunch of us have launched a new co-authored review blog Bones of Contention. The introduction to the blog is here, and you can read the first review in my series, Ludic Dreams, here. I review two new zines from Zinequest 3 that presents systems for tracking NPC relations and ongoing shenanigans, A Small Entanglement of Flowers and Entanglements, and A Tangled Web. 

I'd like to say something about why we launched the blog and how we're thinking of the collective project. We launched the blog out of a sense that there was a problem with the culture of criticism and reviews in the retro-gaming scene. One basic problem with reviews that we face in our little DIY corner of the hobby is that most reviews happen in the form of boosterism, where people share stuff on blogs and social media because they're excited about it. Since this is a small scene, where almost everyone knows almost everyone else, at least at some vanishingly small degree of separation, this often involves friends lifting up the work of friends. Which is great, but it has its obvious limitations. Critical reviews in this mode are rare. If you give over your blog or a twitter thread to write a random critical review of something in this space, the results are hurt feelings (why did you give over your space to single me out?). So game design don't improve through criticism. 

Another problem is one of time. It would be nice to review things regularly. But who has the time, especially if one is also writing material or designing games, not to mention holding down a day job, and all the rest? Similarly, it would be great if more reviews were written as a result of playtesting. How can you have an adequate view of a game product without playing it? Again, problems of organization and time make this unrealistic, especially if you're running a home campaign already. 

Of course, there are some dedicated review sites (especially Questing Beast and Ten Foot Pole) that have been going for a long time that devote huge amounts of time and energy solely to reviews. But they are single-authored and so convey a single point of view. This point of view is often quite valuable, but it's just one established voice. So it would be nice if there were some new perspectives entering the conversation too. Another more politically delicate problem with some of these sites is that they are trollish sites (like Prince of Nothing) or have unmoderated comment sections that through the charming magic of the internet sometimes devolve into flame wars and trollish behavior (i.e. Ten Foot Pole). This makes retro-gaming a less welcoming space than it should be and does absolutely nothing to improve critical discussion and evaluation. 

Our solution to these problems is to create a dedicated review site that avoids boosterism for substantial reviews. Instead of being single authored, we draw on a large enough group of people to keep reviews coming, and do at least some playtesting. Our goal is to try to get at least one review up a week. We also tried to include a diverse group of people as reviewers who have interesting perspectives on games, most of whom are authors in their own right. We tried to include people who would be likely to present thoughtful and interesting reviews that might foster fruitful conversations. If you head over to the blog and meet the Skeleton Crew (as we're calling ourselves) you'll see some of the people involved. They're a group of people whose work I have respected for years, and with whom I'm very excited to be working.  

The idea isn't to create a single school of design, but rather for each contributor to maintain their own independent series of reviews from their own perspective. We will collaborate on some reviews, like our first review of the Isle of the Plangent Mage, but for the most part people will be selecting things to review and writing the reviews on their own. In short, the collective in question is a collaboration between otherwise independent reviewers. Don't think of Bones of Contention like this:

This is not our goal 

Our goal instead is to try to write reviews that provide information about and give visibility to products, but also say something interesting about retro or classic game design (for authors and DIY enthusiasts), each from our own perspective as authors and designers. We're also moderating comments in order to avoid the trollish comments and flame wars. I have moderated the comments here for a long time, without any loss in quality. (The worst thing to ever happen was I deleted a strange thread of comments in which Kent was making fun of a shirt I was wearing. On a typical day, the only thing I delete are solicitations for vampirism and sorcery.) 

Anyway, check the blog out here and give it a follow in your reader, RSS feeds, on blogger, or however people are reading blogs nowadays. 

   



Monday, July 19, 2021

Through Ultan's Door Returns to Print

 


At long last, Through Ultan's Door is back in print. All issues (1-3) and Beneath the Moss Courts are available in Print + PDF on my Big Cartel store. Get them here. What's more, for a limited time you can buy this glorious 24x18 inch poster from Huargo of the White Jungle that hangs from the bottom of Zyan. It is an appropriately lurid fever dream of a poster, which takes inspiration from Jimmy Cauty's justly famous Lord of the Rings Poster:



You can also find PDFs of Through Ultan's Door and Beneath the Moss Courts at both DriveThruRPG and itch.io. 

I will mail zines and posters as I am able. Since I now have a thermal printer and no longer have to stand in line at the post office, it's much easier for me to fulfill orders. So I hope they will ship within 48 hours. 

I also fulfilled my last rewards for the Kickstarter this morning. So it seems like I've come out the other end without having bungled things, although there were a flurry of snafus this morning! 

As always, if you want to join the mailing list for the zine, just drop a note to throughultansdoor AT gmail DOT com.